When I was first introduced to this piece I was not just surprised on how innovative this idea was but also how I enjoyed listening to it. John Cage is a well-known 20th century composer and famous for his experimentation through the ultimate question of what is music. We can form many arguments about his “silent” piece, 4’33”, in addition to his Sonata V for prepared piano.
A little background about Cage is that he was a percussionist and he was into avant-garde art. He was constantly seeking out different ways of producing and making art. With his prepared piano pieces, it was said that he was stuck at a university with no percussion and felt empowered to turn a piano into a mini percussion ensemble. That is exactly how I listen to this song with its intricate patterns and variety of timbre and pitch. If I had closed my eyes to first hear this song, I would no doubt think it’s anything but a piano. One thing is how he modifies it so uniquely and producing nothing you would expect. Another being that it straight up sounds like a bunch of percussive instruments clacking away.
Some people are highly offended by how he sticks metal in between the strings and distorts the sound. It is ethnically wrong to do such a thing to the grand piano. I believe it is completely acceptable if he has any intention of making music by that means. Especially if it comes out being organized like how he planned it and with sounds that were never heard before in that way.